Based in London.

To access the ungraspable expanse of Antarctica I locate myself within satellite technologies, only to find the imagery fractured and disrupted by the piecing together of information.
 

A screenshot is a purely digital capture, pixels are held still like a photograph within the screen. I use non-human images to investigate the breakup and disruptions in technology at the forefront of climate change. I am trying to access the real time acceleration of the Anthropocene, to create new narratives for planetary concerns. Yet when I view it, it glitches.

A makeup of pixel data that

disrupts        our orientation.
 

Within my work I want to bring this fragmented space to the surface and pick apart the concealing and revealing of information. I use the screenshot as a mode of capture to hold the pixels still within the screen, to then output them into physical space to notion to the human layer within geological time. A layer of irreversible changes we have inflicted on the strata of earth, altering ice, rock and data. Utilising AV and printed technology to bring the viewer back to the digital source of viewing, I want to communicate what it means when the lens fails to capture.

Like the

reflection

of an ice sheet glaring back at you in digital space.

This investigation into the constant movement and shifting landscape within the static image capture is not over.
Temporalities alter and the hum of activity is present and in flux – technologies break up in time to the ice melting.